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lyrics
Episode 21 Meta Cello
Things get started off with a fun driving beat that develops into a bowed line that feels like it’s racing ahead to me, on its way to somewhere. I’m starting to feel like I’m almost as comfortable rhythmically with the bow as I am pizzicato, which is a goal I’m striving toward. The bow is always going to be slightly less rhythmic just because of the nature of the attack, but I like feeling like it’s close. Things slow down a bit in the second piece, but still keep a driving forward sensibility. I like the melodic theme I find here, there’s a lyrical aspect to the little bowed figures. The third piece keeps up the quicker pace, and I find a chord progression that I’ve done before, but with a new twist, which seems to often be the case, especially at the end with the layered lyrical arco figures. For the fourth piece I was inspired by Mark Summers, who’s piece Julie-O was one of the earliest pieces that really opened my eyes to alternative possibilities with the cello. I think I’d like to develop this piece a bit more and try to have another section, as it’s hard to keep this fast pace throughout without some sort of break in the action as a bit of a respite to the sound, but I think it sounds cool as a short little jaunt. We return to the driving forward feeling of things, with a cool rhythmic piece. It takes me a little while to find an arco line that works, but I eventually get there more or less. Things get a little darker, but I kind of like when I can slightly transform a darker sounding piece with little spots of brightness here and there. I think the final piece actually has some nice finality to it, so to speak.
Things get started off with a fun driving beat that develops into a bowed line that feels like it’s racing ahead to me, on its way to somewhere. I’m starting to feel like I’m almost as comfortable rhythmically with the bow as I am pizzicato, which is a goal I’m striving toward. The bow is always going to be slightly less rhythmic just because of the nature of the attack, but I like feeling like it’s close. Things slow down a bit in the second piece, but still keep a driving forward sensibility. I like the melodic theme I find here, there’s a lyrical aspect to the little bowed figures. The third piece keeps up the quicker pace, and I find a chord progression that I’ve done before, but with a new twist, which seems to often be the case, especially at the end with the layered lyrical arco figures. For the fourth piece I was inspired by Mark Summers, who’s piece Julie-O was one of the earliest pieces that really opened my eyes to alternative possibilities with the cello. I think I’d like to develop this piece a bit more and try to have another section, as it’s hard to keep this fast pace throughout without some sort of break in the action as a bit of a respite to the sound, but I think it sounds cool as a short little jaunt. We return to the driving forward feeling of things, with a cool rhythmic piece. It takes me a little while to find an arco line that works, but I eventually get there more or less. Things get a little darker, but I kind of like when I can slightly transform a darker sounding piece with little spots of brightness here and there. I think the final piece actually has some nice finality to it, so to speak.
credits
from Mellow Cello Podcast,
released May 5, 2023
license
all rights reserved
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about
Takenobu Atlanta
Takénobu is the moniker for independent cellist and composer Nick Ogawa's musical projects, encompassing both solo and band recordings.
discography
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Dec 2023 -
Oct 2023 -
Mar 2023 -
Sep 2021
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